« April 2007 | Main | June 2007 »

May 28, 2007

Oldest/Most Expensive Camera

VIENNA (AFP) - An 1839 daguerreotype camera, ancestor of modern photography, was sold at auction in Vienna Saturday for nearly 600,000 euros making it the world's oldest and most expensive commercial photographic apparatus.

An anonymous buyer paid 588,613 euros (792,000 dollars), bidding by Internet, said the Galerie Westlicht auction house here.

The opening price was 100,000 euros for the wooden box structure, which is in its original state and had been lying forgotten in a loft in Munich since the year 1940 until the present owner of the premises accidentally came across it.

Bids came from as far afield as South Korea, Japan, the United States and France, the auction house said.

Michel Auer, a Swiss photographer and photographic historian, carried out an expertise on the device and concluded that it was the only remaining known example made by a French firm, the Susse Brothers.

Before it resurfaced, the oldest known and most expensive daguerreotype apparatus in the world had been one also dating from 1839 but made by Alphonse Giroux, brother-in-law of the inventor Daguerre.

Only 12 remaining original Giroux daguerreotype cameras are known to be preserved in various collections around the world.

The daguerreotype, named after the French artist and chemist Louis Daguerre, is an early type of photograph in which the image is exposed directly onto a mirror-polished surface of silver bearing a coating of silver halide particles deposited by iodine vapour.

It was not the first-ever photographic process. But previous attempts had required such lengthy exposure that the daguerreotype became the first commercially viable photographic process.

May 15, 2007

Making the Scene

Making the Scene: The Midtown Y Photography Gallery, 1972-1996

New York Public Library
Fifth Avenue and 42nd Street
NYC

Now - September 16, 2007

This exhibit tracks the fortunes of the Midtown Y Photography Gallery - its 25-year history, and the role it played as photography moved into the art world. The Gallery was founded in a corridor of the Emanu-El Midtown Y.M.-Y.W.H.A. by the photographer Larry Siegel.

Text from the New York Public Library website:

The gallery’s focus on emerging photographers was solidified in 1983 under the directorship of Michael Spano and a newly formed board of advisers made up of significant members of the photographic community, including Helen Gee, Aaron Siskind, Arthur Leipzig, Larry Fink, and Jeffrey Hoone. Although the gallery still occasionally presented new work by photographers with established careers, such as Sidney Kerner or Louis Stettner, the majority of the work presented was by up-and-coming photographers born in the late 1940s or 1950s. The gallery’s typical practice was to feature three photographers, each of whom showed between 25 and 30 photographs, in a single exhibition. The photographers paid a flat fee to the gallery (to cover the cost of printing invitations), and the gallery provided press, mailing, and an opening. Profits from exhibition sales went directly to the photographers, many of whom also donated one or two prints to the gallery’s permanent collection. In 1993, when the Educational Alliance took over the Midtown Y, the gallery moved to 197 East Broadway. Tighter administrative controls at the new location, the appearance of new venues for photography, and increased competition for dwindling state and national funding for arts programs resulted in the closing of the gallery in 1996.

May 3, 2007

Leonard Freed

Leonard Freed: A Memorial Retrospective

May 4 - 16, 2007

Leica Gallery
670 Broadway
New York City 10012

212 777 3051

Leonard Freed became a member of Magnum Photos in 1972 and in the tradition of that prestigious agency directed much of his efforts into significant, long-ranging projects exploring social mores, religions, societal discrimination and violence as well as a myriad of topics throughout the world. His work was published in major newspapers and periodicals including Life, Look, Paris Match, The New York Times Magazine, GEO, Die Zeit, Der Spiegel, Stern and Fortune. In these and in many other publications he covered the American civil rights movement; Polish and Asian immigration into England; North Sea oil development; Spain since Franco; the Ku Klux Klan; Crete, Cyprus and Turkey; gambling in Atlantic City; Lebanon at war; the U.S. Army in Germany; the death of Black children in Atlanta; Venice and its residents; and the Millennium in Rome. He also fillmed four films for Japanese, Dutch and Belgian television. Freed received a New York State Grant for the Arts in 1978 and a National Endowment for the Arts in 1980. During his lifetime, there were thirty solo exhibitions of his photography throughout the world and his work is part of the collections of such public insititutions as the International Center of Photography and the Metropolitan Museum of Art (New York); Bibliotheque Nationale (Paris); Israel Museum (Jerusalem); the Swiss Foundation (Zurich); Stedelijk Museum (Amsterdam); and the Museum Folkwang (Essen).

Leonard Freed died in Garrison, New York on 30 November 2006. He is survived by his wife, Brigitte, whom he married in 1958, a daughter, Elke Susannah, and two grandsons.

Text from Rose and Jay Deutsch, Directors, Leica Gallery, NYC