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December 15, 2008

Robert Frank: Looking In

Looking In: Robert Frank’s The Americans
January 19 - April 26, 2009

From the National Gallery Website:
First published in France in 1958 and in the United States in 1959, Robert Frank's The Americans is widely celebrated as the most important photography book published since World War II. Including 83 photographs made largely in 1955 and 1956 while Frank (b. 1924) traveled around the United States, the book looked beneath the surface of American life to reveal a profound sense of alienation, angst, and loneliness. With these prescient photographs, Frank redefined the icons of America, noting that cars, jukeboxes, gas stations, diners, and even the road itself were telling symbols of contemporary life. Frank's style—seemingly loose, casual compositions, with often rough, blurred, out-of-focus foregrounds and tilted horizons—was just as controversial and influential as his subject matter. The exhibition celebrates the 50th anniversary of the book's publication by presenting all 83 photographs from The Americans in the order established by the book, and by providing a detailed examination of the book's roots in Frank's earlier work, its construction, and its impact on his later art.

December 1, 2008

Broken Glass

Broken Glass: Photographs of the South Bronx by Ray Mortenson

Museum of the City of New York
1220 Fifth Avenue at 103rd St.
New York, NY 10029
212.534.1672

Through Mar 8

From the MCNY:
Made between 1982 and 1984, the photographs in Broken Glass: Photographs of the South Bronx by Ray Mortenson focus on the burned out, abandoned, and razed structures of entire city blocks in the South Bronx, documenting the aftermath of a widespread urban economic crisis that plagued the United States in the 1970s. Putting the political, economic and social causes for this collapse aside, Mortenson's photographs consider the land and loss in human terms. They project a haunting silence, reminding us that these neighborhood streets were cradles of the community, lined with the homes of individuals and families. Hints of a once prosperous district are revealed in Mortenson's work through a stark black-and-white portrayal of what remained.