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April 11, 2010

Cartier-Bresson

Henri Cartier-Bresson: The Modern Century
June 11 - June 28, 2010

From the Museum of Modern Art website:
Henri Cartier-Bresson (1908–2004) is one of the most original, accomplished, influential, and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography, and his uncanny ability to capture life on the run made his work synonymous with “the decisive moment”—the title of his first major book. After World War II (most of which he spent as a prisoner of war) and his first museum show (at MoMA in 1947), he joined Robert Capa and others in founding the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. In the decade following the war, Cartier-Bresson produced major bodies of photographic reportage on India and Indonesia at the time of independence, China during the revolution, the Soviet Union after Stalin’s death, the United States during the postwar boom, and Europe as its old cultures confronted modern realities. For more than twenty-five years, he was the keenest observer of the global theater of human affairs—and one of the great portraitists of the twentieth century. MoMA’s retrospective, the first in the United States in three decades, surveys Cartier-Bresson’s entire career, with a presentation of about three hundred photographs, mostly arranged thematically and supplemented with periodicals and books. The exhibition travels to The Art Institute of Chicago, the San Francisco Museum of Modern Art (SFMOMA), and the High Museum of Art, Atlanta.

April 8, 2010

Dorothy Bohm

From the British Journal of Photography website:

Street photography is the focus of an exhibition opening in Manchester this month, celebrating the 60-year career of Dorothy Bohm one of Britain’s most enduring and influential figures.

Dorothy Bohm has lived a full and colourful life. Born in Konigsberg in East Prussia to a Jewish-Lithuanian family in 1924, she was sent to England before the outbreak of war to escape Nazism. By 1942 she had graduated from Manchester College of Technology and started work in a portrait studio in the centre of the city, before opening her own business, Studio Alexander, in 1946. Since then, she has travelled widely, living in Paris, New York and San Francisco before settling in London’s leafy Hampstead in 1956, where she still lives today. Further trips took her to Soviet Russia, Egypt and the Far East, photographing contemporary life along the way, and she also managed to fit in time to have two daughters and co-found The Photographers’ Gallery in 1971. She was its associate director for the next 15 years, then in 1998 founded the Focus Gallery for Photography.

Her black-and-white photography was justly celebrated early on, and in 1969 her street images were exhibited alongside work by Don McCullin, Tony Ray-Jones and Enzo Ragazzini at the ICA. André Kertész, no less, encouraged her to switch to colour film in the late 1970s. “I find that colour requires a different sensitivity,” she wrote. “Reality and unreality mix more harmoniously. The emotional appeal of colour to me is very strong, it does not say the same thing as black-and-white.”

And now Bohm’s work is being given its first really major retrospective in the UK, The World Observed, showing for four months from 22 April at the Manchester Art Gallery, and in 2011 it will travel to The Sainsbury Centre for Visual Arts in Norwich. Including work from all 60 years of her career, the exhibition will also feature a reconstruction of her first studio and darkroom.

www.manchestergalleries.org
www.dorothybohm.com