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March 1, 2009

Erich Lessing

Herbert von Karajan

6 March - 18 April 2009

Leica Gallery
670 Broadway
New York, NY 10012 USA

"As a true lover of photography, I always find it fascinating when looking at works such as those of Erich Lessing, the Austrian doyen of photography, to realize how the photographer’s eye can open up new perspectives and perceptions for the viewer. Photographs – a cross between what is transient and what can be captured and recorded – can tell their own stories, beyond any historical or geographical boundaries. Erich Lessing’s photographic oeuvre conveys in its own particular way this visualization of time, the portrayal of a subjective section of the world… Erich Lessing has always been especially fascinated by the world of art and the artist, by the challenge of demonstrating the creative process, of choosing a specific art of documentation as an approach to discovery. This ambition to realize the unreal – culture and concepts – is the underlying quality in his series of photographs taken from the artistic career of Herbert von Karajan. In dynamic, sometimes anecdotal pictures, the encounter between the young photojournalist Erich Lessing and the conductor on the threshold of world fame reflects the highest professional aspirations of both men. Erich Lessing’s oeuvre is closely linked with Leica and the Leica camera. Most of the photographs in this volume were taken with a 1950s M3 camera (still extant); its technical sophistication and lenses enabled him to capture the immediacy and intensity which still draw us under the spell of events and situations.”

- Dr. Andreas Kaufmann, Chairman of the Board of Management and Chief Executive Officer, Leica Camera AG, from his preface to Erich Lessing’s Herbert von Karajan (Metamorphosen, Vienna, 2008)

June 18, 2008

Claire Yaffa

Photographs

Leica Gallery
670 Broadway
New York City 10012

June 27 - August 9

From the Sarah Lawrence College web site:
Claire Yaffa is an esteemed independent photojournalist, critically-acclaimed fine art photographer, and internationally-famous portraitist. As a photojournalist, Yaffa devoted her career to social issues - documenting the plight of the ill, homeless and disadvantaged, especially children and the elderly. This work has been published in four collections: child abuse and rehabilitation (Reaching Out, 1987); children with AIDS (A Dying Child is Born, 1992); the homeless (Homeless in Westchester County, 1988); and the work of The New York Foundling Hospital (The Foundling: The Story of The New York Foundling Hospital, 2001).

Yaffa's four fine art monographs – the first three prefaced by the late Gordon Parks - include Light and Shadow (1998), a personal meditation on the subtleties of the photographic vision, of which Gordon Parks writes: “Whatever appears seems to have been carved from grace". Her most recent book, Divertissement (2008), will be published both as an individual edition and as part of a three-book slip-cased compilation of her fine-art work.

Claire Yaffa’s photographs have been published in The New York Times as well as in a wide range of Condé Nast and Gannett papers and periodicals. Her photographs portraying the social issues of our times have appeared as part of television documentaries on NBC, ABC and PBS. She is the recipient of the 1995 Westchester Arts Council Award and her work has been exhibited in such public institutions as the International Center of Photography, Hudson River Museum, the Sarah Lawrence College, the White Plains Museum Gallery and the Neuberger Museum of Art.

May 1, 2008

Gerald Cyrus

Stormy Monday
Harlem's 1990s Jazz Scene

2 May - 21 June 2008

"The photos [the Stormy Monday series] were taken during the 1990s when I lived in Harlem and frequented many of the bars, clubs and lounges there that featured live music. These neighborhood joints were places where musicians came to jam and hone their skills, while patrons came to have a few drinks, enjoy the music and hang out with old friends. The most popular bar at the time was St. Nick's Pub, and the most active night was Mondays, the night when musicians were typically off from their paying gigs and can play where and what they want (hence the title of this series which is also an old T-Bone Walker song).

Without having to pay a cover charge and just a few bucks for some drinks, a person could hang until sometimes three or four in the morning listening to some of New York's best musicians, and who knew when a legend like Max Road, David Murray or Hamlet Bluiett might walk through the door. One of the most prominent features of these clubs (as distinguished from their downtown counterparts) was the communal atmosphere that permeated the rooms and blurred the line between performers and audience." -- Gerald Cyrus

Leica Gallery in New York
670 Broadway / Suite 500
New York, NY 10012
+1 (212) 777-3051

leicaphoto@aol.com

March 4, 2008

Steve Simon & George Zimbel

Steve Simon: America at the Edge
George S. Zimbel: Photographs

March 7 - April 26

Leica Gallery
670 Broadway
NYC

(212) 777-3051

Award-winning, Montreal-based photojournalist Steve Simon showcases America at the Edge, his long-term documentary study of Americans living just south of the largest undefended border in the world - the one between Canada and the U.S.

George S. Zimbel (who was born in the U.S. and emigrated to Canada in 1971) has a worldwide reputation for being a master-photojournalist in the purest tradition. He is famous for his photographs of politicians, e.g.,Truman, Eisenhower, Kennedy, and Nixon, as well as of celebrities. Remember the image of Marilyn Monroe with her skirt being lifted by the air from a subway grate? He is the one who took that photo. He has also photographed many other notable personalities e.g., Helen Keller, Billy Graham, Edward R. Murrow, Leonard Bernstein, and Carol Channing.

January 1, 2008

David & Peter Turnley

McClellan Street

11 January - 1 March 2008

Leica Gallery
670 Broadway
New York, NY 10012

Tues - Sat 12 -6

This is an exhibit of photographs taken nearly 35 years ago by the twins David and Peter Turnley of a four-block stretch of McClellan Street in Fort Wayne, Indiana. McClellan Street is now a parking lot, but back when Peter and David took these images, it was a working-class neighborhood of men, women and children coming to grips with life's reality and with their life ahead.

August 22, 2007

Richard Kalvar

Leica Gallery New York
670 Broadway
NYC

September 19 - November 3, 2007

Text from Wikipedia.com:

Member of Magnum Photos, a renowned American photographer who is based in Paris. Richard Kalvar is known for his ability to catch the absurd within the banality of everyday life, which are decrypted solely by the viewer. One can view him as not being a traditional photojournalist but as an "anti" photojournalist.

His photos give his personal view of the world, which is colored with humor and irony.

May 3, 2007

Leonard Freed

Leonard Freed: A Memorial Retrospective

May 4 - 16, 2007

Leica Gallery
670 Broadway
New York City 10012

212 777 3051

Leonard Freed became a member of Magnum Photos in 1972 and in the tradition of that prestigious agency directed much of his efforts into significant, long-ranging projects exploring social mores, religions, societal discrimination and violence as well as a myriad of topics throughout the world. His work was published in major newspapers and periodicals including Life, Look, Paris Match, The New York Times Magazine, GEO, Die Zeit, Der Spiegel, Stern and Fortune. In these and in many other publications he covered the American civil rights movement; Polish and Asian immigration into England; North Sea oil development; Spain since Franco; the Ku Klux Klan; Crete, Cyprus and Turkey; gambling in Atlantic City; Lebanon at war; the U.S. Army in Germany; the death of Black children in Atlanta; Venice and its residents; and the Millennium in Rome. He also fillmed four films for Japanese, Dutch and Belgian television. Freed received a New York State Grant for the Arts in 1978 and a National Endowment for the Arts in 1980. During his lifetime, there were thirty solo exhibitions of his photography throughout the world and his work is part of the collections of such public insititutions as the International Center of Photography and the Metropolitan Museum of Art (New York); Bibliotheque Nationale (Paris); Israel Museum (Jerusalem); the Swiss Foundation (Zurich); Stedelijk Museum (Amsterdam); and the Museum Folkwang (Essen).

Leonard Freed died in Garrison, New York on 30 November 2006. He is survived by his wife, Brigitte, whom he married in 1958, a daughter, Elke Susannah, and two grandsons.

Text from Rose and Jay Deutsch, Directors, Leica Gallery, NYC

March 3, 2007

She, Her & Me

Austrian Photography XIV: Iris Klein
She, Her & Me

March 9 - April 28

Leica Gallery in New York
670 Broadway / Suite 500
New York, NY 10012
(212) 777-3051

January 4, 2007

The Columbia Connection

January 12 - March 3, 2007

The Leica Gallery is presenting the Columbia Connection, an exhibition of the photographs of Jack Eisenberg, who graduated from Columbia College, and Edward Keating, who attended The School of General Studies at Columbia University.

Leica Gallery
670 Broadway
New York, NY 10012

212.777.3051

November 1, 2006

Jiri Turek

Czech Photography VII

Leica Gallery
670 Broadway
New York City 10012

10 November - 6 January 2007

The exhibited photographs in Jiri Turek's first solo show at Leica Gallery include a part of his fashion work for the "Czech Fashion Wave."

September 4, 2006

Erich Lessing

The 1956 Hungarian Revolution Fifty Years Later

14 September - 4 November 2006

Leica Gallery
670 Broadway
New York City 10012

Tuesday - Saturday 12 - 6

"Erich Lessing was the first photographer to arrive in Budapest, covering all aspects of the short-lived rebellion from its exhilarating commencement through its horrific climax, even returning afterward with medicine and food. To mark the 50th anniversary of the Hungarian Revolution, Leica Gallery and the Consulate General of Hungary of New York are pleased to exhibit the landmark photographs of Erich Lessing. These indelible images, while both riveting and harrowing, provide a full documentation of this short-lived uprising and its aftermath."

Rose and Jay Deutsch
On-Site Directors

June 1, 2006

Bill Ray

A Retrospective

9 June - 5 August 2006

Leica Gallery
670 Broadway
New York City 10012

212 777 3051

Tuesday - Saturday 12 - 6

This retrospective exhibition documents the creative diversity of Bill Ray's photographs, from the heyday of the picture magazines to the present time, and includes vivid portraits; historic events; fashion; personalities in the fields of art, music, politics, Hollywood, as well as ordinary citizens.

February 28, 2006

The New York Times

March 10 - April 15, 2006

Leica Gallery
670 Broadway
NYC 10012
212 777 3051

Leica Gallery is pleased to present a broad selection of images from The New York Times Photo Archives, images spanning more than a century and including such widely diverse themes as world events, sports, transportation, science and industry. Americana, human interest. These extraordinary images whether they be well-known, little known, or seen for the first time, taken by photographers both known and unknown, will affirm the immense impact of photography on our daily lives. While photographers' equipment has changed drastically in recent years - news photography has been revolutionized by the advent of the digital camera - and color images have replaced the traditional black and white on the first page of The Times, the photographers and the photo editors continue to provide photographs that visually articulate the reality of world events for the millions of readers who have made The New York Times American's pre-eminent newspaper.

February 12, 2006

Friday Night Grind

Leica Gallery
670 Broadway
NYC 10012
212 777 3051

- "Friday Night Grind"
February 3 - March 4, 2006

Jackie Brunner's photographs reveal to us how the gritty world of the Bourbon Street strip clubs is permeated with the same dichotomy as New Orleans itself – fact versus fantasy, appearance versus reality, the secret yet public personae of the clubs versus the quotidian reality of daily life.