May 13, 2014

Urbes Mutantes

Latin American Photography 1944–2013

May 16–September 7, 2014

Urbes Mutantes: Latin American Photography 1944–2013 is a major survey of photographic movements in Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru, and Venezuela. Taking the "mutant," morphing, and occasionally chaotic Latin American city as its focus, the exhibition draws particularly on street photography's depictions of the city during decades of political and social upheaval. It is divided into sections that explore public space as a platform for protest, popular street culture, the public face of poverty, and other characteristics of the city as described in photographs. Dispensing with arbitrary distinctions between genres of photography—art photography, photojournalism, documentary—Urbes Mutantes points to the depth and richness of the extensive photographic history of the region.

International Center of Photography
1133 Avenue of the Americas at 43rd Street
New York, NY 10036

April 13, 2014

Duane Michals

Empty New York

April 24 - May 31, 2014

Comprised of thirty rare gelatin silver prints dating from the 1960s, the exhibition focuses exclusively on Michals' early exploration of transitional early morning moments in New York City shops, parks, subway cars, and train stations. This is the first time these photographs have been exhibited as a group.

The images in this exhibition, taken over a half a century ago, include New York landmarks such as Penn Station, the Metropolitan Opera House, and Washington Square Hotel as well as ordinary locales, such as a laundromat, a shoeshine station, or an empty booth in a neighborhood diner. The series reflects Duane Michals' admiration for the work of French photographer Eugene Atget who memorably photographed the streets of Paris.

DC Moore Gallery
535 West 22nd Street, 2nd Floor
New York, NY 10011

March 15, 2014

Vivian Maier

Finding Vivian Maier is a documentary about a nanny, who secretly took over 100,000 photographs that were hidden in storage lockers and, discovered decades later. Vivian Maier is considered among the 20th century’s greatest photographers. Her life and art are revealed through never before seen photographs, films, and interviews with dozens who thought they knew her.

The movie is coming to theaters in March. Check local listings.

February 15, 2014

City Stages

City Stages, photographs by Matthew Pillsbury

Exhibition on view:
February 20–March 27

547 West 27th Street, 4th Floor
New York, N.Y. 10001


City Stages offers a paean to the craft and visionary potential of large-format, black and-white photography, as well as to the vibrancy of the cultural landscape at a transitional moment—a moment in which our very relationship to that landscape is increasingly mediated by omnipresent screens.

Over the past decade, Matthew Pillsbury has built several extensive bodies of work—Screen Lives, Hours, and City Stages—that deal with different facets of contemporary metropolitan life and the passage of time. Working with black-and-white, 8-by-10 film and long exposures, Pillsbury captures a range of psychologically charged experiences in the urban environment, from isolation—tuned into the omnipresent screens of our tablets, laptops, televisions, and phones—to crowded museums, parades, cathedrals, and even protests.

Working primarily in New York but with forays to Paris, London, Venice, and other sites, the precise and concrete rendering of cityscapes, iconic landmarks, and interior spaces in his images provides a stage-like setting for the performance of human activity. Thanks to the extended exposures—some as long as an hour—the actions of both individuals and crowds are blurred and transformed into pure gesture and energy.

As writer Karl E. Johnson comments on the work, “For Pillsbury, the act of seeing appears to double as a performance, if no more than the performance of life enacted in various spaces and timeframes.” This exhibition gathers selections from all three bodies of work for the first time, and spans ten years of the artist’s output.

January 16, 2014


Brassaï: Paris Nocturne
by Sylvie Aubenas and Quentin Bajac
(Thames & Hudson, publisher)

Sylvie Aubenas and Quentin Bajac’s Brassaï: Paris Nocturne is the first major book on the photographer since the 1976 book, Secret Paris of the 30s.

There's an interesting review of the book by Luc Sante in The New York Review of Books.

December 14, 2013

Harry Callahan


January 9 - March 8, 2014

Pace/MacGill Gallery
32 East 57th Street

A collection of 50 gelatin silver prints will be featured examining one of the central themes of Harry Callahan's work: the urban landscape.

November 8, 2013

Helen Marcus

Helen Marcus, Literary Portraits: Putting a Face to the Words

Now - January 4, 2014

Helen Marcus has specialized in portraiture, fine art and travel ever since she started her career in photography in 1974, following almost two decades working in television. Her work has been widely published in periodicals and books both in the USA and abroad and exhibited in solo and group shows. Currently she is President Emerita of the W. Eugene Smith Fund and is a past President of the American Society of Media Photographers. She has lectured internationally on portraiture and has been an adjunct professor at the Parsons School of Design; the School of Visual Arts; and the Tisch School of the Arts, New York University. Marcus’ portrait of Toni Morrison was used for the image on the Swedish postage stamp honoring her as the Nobel Laureate in Literature. Her work is in the permanent collections of the National Portrait Gallery, George Eastman House and the International Center of Photography. For this exhibition of many of her iconic literary portraits, Helen Marcus has uniquely chosen quotations from the authors themselves, thus adding a new dimension to the presentation.

The Leica Gallery New York
670 Broadway

October 1, 2013

W. Eugene Smith

W. Eugene Smith Grant in Humanistic Photography and Howard Chapnick Grant for the Advancement of Photojournalism

The School of Visual Arts Theater
333 West 23rd Street

October 16, 2013, 6:00 PM

The program will include presentations of photo essays by this year’s grant and fellowship recipients and finalists, a unique tribute to the work of W. Eugene Smith, a special keynote speech, and the announcement and presentation of the 2012 jurors’ discretionary grant, the 2012 Howard Chapnick grant, and the 2012 W. Eugene Smith Grant.

September 14, 2013

Itinerant Camera

The Itinerant Languages of Photography

Princeton University Art Museum
September 7 - January 19, 2014

Excerpt from the Princeton University Art Museum website:
This exhibition will examine the movement of photographs, as disembodied images and as physical artifacts, across time and space as well as across the boundaries of media and genres, including visual art, literature, and cinema. The culmination of a three-year interdisciplinary project sponsored by the Princeton Council for International Teaching and Research, the exhibition traces historical continuities from the 19th century to the present by juxtaposing materials from archival collections in Spain, Argentina, Brazil, and Mexico and works by modern and contemporary photographers from museum and private collections including Joan Fontcuberta, Marc Ferrez, Rosâgela Renno and Joan Colom.

August 26, 2013

Mårten Lange

Another Language

MACK, 2012
96 pages
59 tritone plates
14 cm x 21 cm
Embossed hardcover

"A physical delineation of nature terminates at the point where the sphere of intellect begins, and a new world of mind is opened to our view. It marks the limit, but does not pass it."
Alexander von Humboldt (1845)

The aesthetics of science, nature and the materiality of things are recurring themes in Mårten Lange’s work and in Another Language, his first major publication, Lange delves even deeper with this fascination for the natural world.

Combining images of flora, fauna and natural phenomena in an intimate and beautifully crafted book, Lange teases out a subtle narrative - a meteor crashes, a landmass is visible and a distant planet occupies the final page - but the book is more akin to the workings of a scientist collecting specimens. Together the photographs create a cryptic and heterogeneous index of nature, with recurring shapes, patterns and texture, where the clarity and simplicity of the individual photographs contrasts with the enigmatic whole.

Shot in his signature black and white style, his subjects are isolated from their environments, taking on sculptural qualities. Ranging from the sublime (lightning, mountains, a star) to the commonplace (ducks, rocks, a fish), these phenomena all attain equal importance through the democracy of Lange’s photographic treatment.

Mårten Lange was born in 1984 in Mölndal, Sweden. He studied photography at University of Gothenburg in Sweden and the University for the Creative Arts in Farnham, United Kingdom. He has previously self-published four books, including Machina (2007) and Anomalies (2009).

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